By SYLVIE CORBET and JEFFREY SCHAEFFER
PARIS (AP) — France is inducting U.S.-born entertainer, anti-Nazi spy and civil rights activist Josephine Baker into the Pantheon, the first Black woman to receive the nation’s highest honor.
French President Emmanuel Macron is presiding over an elaborate ceremony Tuesday at the domed Pantheon monument in Paris to immortalize Baker alongside other French luminaries such as philosopher Voltaire, scientist Marie Curie and writer Victor Hugo.
The ceremony began on the cobblestone street leading to the Pantheon, with recordings of Baker singing and broadcast displays tracing her extraordinary life. Later, Macron will give a speech inside the monument.
THIS IS A BREAKING NEWS UPDATE. AP’s earlier story follows below.
PARIS (AP) — The voice of Josephine Baker, speaking and singing, will resonate Tuesday in front of the Pantheon monument in Paris, where she is to symbolically be inducted — becoming the first Black woman to receive France’s highest honor.
French President Emmanuel Macron made the decision in August to honor the “exceptional figure” who “embodies the French spirit,” making Baker also the first American-born citizen and the first performer to be immortalized into the Pantheon. She will join scientist Marie Curie, philosopher Voltaire, writer Victor Hugo and other French luminaries.
The move aims to pay tribute to “a woman whose whole life is looking towards the quest of both freedom and justice,” Macron’s office said.
Baker is not only praised for her world-renowned artistic career but also for her active role in the French Resistance during World War II, her actions as a civil rights activist and her humanist values, which she displayed through the adoption of her 12 children from all over the world.
Born in St. Louis, Missouri, Baker became a megastar in the 1930s, especially in France, where she moved in 1925 as she was seeking to flee racism and segregation in the United States.
“The simple fact to have a Black woman entering the pantheon is historic,” Black French scholar Pap Ndiaye, an expert on U.S. minority rights movements, told The Associated Press.
“When she arrived, she was first surprised like so many African Americans who settled in Paris at the same time … at the absence of institutional racism. There was no segregation … no lynching. (There was) the possibility to sit at a cafe and be served by a white waiter, the possibility to talk to white people, to (have a) romance with white people,” Ndiaye said.
“It does not mean that racism did not exist in France, but French racism has often been more subtle, not as brutal as the American forms of racism,” he added.
Baker was among several prominent Black Americans, especially artists and writers, who found refuge in France after the two World Wars, including famed writer and intellectual James Baldwin.
They were “aware of the French empire and the brutalities of French colonization, for sure. But they were also having a better life overall than the one they had left behind in the United States,” Ndiaye, who also directs France’s state-run immigration museum, told The Associated Press.
Baker quickly became famous for her banana-skirt dance routines and wowed audiences at Paris theater halls.
Her shows were controversial, Ndiaye stressed, because many anti-colonial activists believed she was “the propaganda for colonization, singing the song that the French wanted her to sing.”
Baker knew well about “the stereotypes that Black women had to face,” he said. “She also distanced herself from these stereotypes with her facial expressions … a way for her to laugh in some ways at the people watching her.”
“But let’s not forget that when she arrived in France she was only 19, she was almost illiterate … She had to build her political and racial consciousness,” he said.
Baker became a French citizen after her marriage to industrialist Jean Lion in 1937. The same year, she settled in southwestern France, in the castle of Castelnaud-la-Chapelle.
“Josephine Baker can be considered to be the first Black superstar. She’s like the Rihanna of the 1920s,” said Rosemary Phillips, a Barbados-born performer and co-owner of Baker’s park in southwestern France.
Phillips said one of the ladies who grew up in the castle and met with Baker said: “Can you imagine a Black woman in the 1930s in a chauffeur-driven car — a white chauffeur — who turns up and says, ‘I’d like to buy the 1,000 acres here?’”
In 1938, Baker joined what is today called LICRA, a prominent antiracist league and longtime advocate for her entry in the Pantheon.
The next year, she started to work for France’s counter-intelligence services against Nazis, notably collecting information from German officials who she met at parties. She then joined the French Resistance, using her artistic performances as a cover for spying activities during World War II.
In 1944, Baker became second-lieutenant in a female group in the Air Force of the French Liberation Army of Gen. Charles De Gaulle.
After the war, she got involved in anti-racist politics. A civil rights activist, she was the only woman to speak at the 1963 March on Washington before Martin Luther King’s famed “I Have a Dream” speech.
Toward the end of her life, she ran into financial trouble, was evicted and lost her properties. She received support from Princess Grace of Monaco, the U.S.-born actress who offered Baker a place for her and her children to live.
Tuesday’s ceremony has closely been prepared with her family, and several relatives will be present, the Elysee said. A coffin carrying soils from the U.S., France and Monaco will be deposited inside the Pantheon. Her body will stay in Monaco at the request of her family.
Albert II, the prince of Monaco and Grace’s son, honored Baker as a “great lady” in a ceremony Monday at the cemetery where she is buried. Paraphrasing French poet Louis Aragon, he said Baker was French “not by birth, but by preference.”
AP journalists Jamey Keaten and Arno Pedram in Castelnaud-la-Chapelle, France, and Bishr Eltouni in Monaco contributed.
Copyright 2021 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.